Imaginings Wordpower & Design Concepts

   

When you are part of a large organization, it may seem that the issue of corporate branding is beyond your control. And unless you are in the top tier of management, that may be true. Nevertheless, many progressive organizations ask for general input when re-evaluating elements of daily operation, branding and development--regardless of an employee's title or pay-grade.

With all of today's focus on logos, slogans, vision and mission statements, the issue of individual expressions of corporate branding many also seem irrelevant. This is especially true if staff members wear uniforms, corporate colors and/or insignia and deliver scripted phrases when conversing with the public. [For further discussion of the topic of professional fashion, please visit our page on Wearing Your Brand. And while it is true that choices in attire and accessories may reflect aspects of an organization's public identity, variations in color, texture, and even layering, can produce a look that is not in harmony with the group's official branding code. Further, the tone of one's voice can convert a greeting intended to be warm and welcoming into a plea to terminate the conversation as soon as possible.

I believe that achieving unity across the spectrum of elements within a successful branding code may rest on a clear statement of the organization's values. Exploring, shaping and stating the core of its identity can provide a firm foundation from which all official images and language can flow harmoniously. Let's look at two examples of how this concept might be applied. First, consider the essence of a non-profit organization dedicated to the wellness of young children based on integrating their healthcare and the local environment. Classically, the color green represents growth and wellness; the color blue suggests clean air and water, as well as honesty and truth. [For sample color palettes, see Plays on Color.] With our sample program's focus, art images should reflect the ages, cultures and physical attributes of participating children, with a bright color palette generally associated with children, and the region of the organization. We would also expect appropriate language springing from the vocabulary of participants, their families and caregivers.

Here in the American Southwest, we often see shades of turquoise, orange sherbet and light-to-mid-range greens, with children's images drawn from the cultures of our many peoples. In our sample, if we found hard-lined, post-modern art images, or curvy classic fonts, or the faces of children drawn from the dark colors of Europe's Middle Ages, the branding would be at odds with the nature and focus of the organization.

For our second example, let's consider an executive seeking a shift in career. He or she may have been with a company for many years and tend to reflect that company's corporate culture. After researching another organization, our candidate is preparing for a high-level interview. While it would be absurd to show up dressed with design and color accents reflecting that one is already a member of the new team, subtle adjustments in appearance, behavior and performance may encourage a neutral, if not outright positive, response in an interview. If one's former organization was in hard-hitting finance, with the majority of one's peers having been mature, male graduates of Ivy League institutions, and the potential organization is comprised of young, casual and alternatively-educated men and women, some choices can be resolved immediately. Carrying a minimally-structured briefcase (if presenting sample materials), wearing ergonomic shoes and a jacket without a tie can indicate a flexible perspective on retraining. If competitors for a position may be less experienced and casual, a flawless portfolio presentation of resume and work samples will demonstrate the advantage of hiring a true professional who will produce quality work the first day of employment. Further, depending on the position, offering a CD/DVD presentation of a public address or leadership of an industry-specific discussion can be invaluable; but remember to bring a wireless laptop to ensure the ability to present the materials, if appropriate.

With regard to vocabulary and the flow of language during an interview, conduct as much research as possible in advance. Seek clues for positioning yourself from written and oral interviews with key players within your potential employer's team. And, of course observing the atmosphere of the office just prior to the interview should help you make spur-of-the-moment choices in how you present yourself.

I conclude this latter example with two cautionary notes. One, I do not mean to suggest that you should not present your own sense of personal branding to a potential employer. In fact, a commercial enterprise or non-profit organization that does not support the individuality of staff and volunteers is unlikely to offer a culture in which anyone would thrive. Two, the old adage about having only one opportunity to make a good first impression is still valid. So, even if your research shows that the CEO of a company is laid back in style, it does not mean that the staff in Human Resources will be --so show up in that jacket, but be prepared to take it off. [For further ideas on strengthening your career and the visibility of your executive team, please visit Resume & Career Tips and Bios to Empower You.

 

If you are part of a large organization,
what choices in appearance and language
can you make to synchronize with its corporate culture?
How can you harmonize this with your personal
standards and individual goals?

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